Every dramatist has their off plays. Stage Shakespeare in full and you’re stuck with “Two Noble Kinsmen.” Tackle Chekhov and your problem is “Platonov.” Director-producer Jamie Lloyd’s charge through ...

“Pinter at the Pinter” is not merely completist, it’s meticulously curated. A decade after Harold Pinter’s death, director Jamie Lloyd’s six-month season of the writer’s short plays and sketches looks ...

Both were written at the end of the 1950s, which explained a certain rock’n’roll vibe in the auditorium, but brought home how much Pinter’s work stretches beyond period, resounding with new ...

Lloyd, already recognised as a skilled Pinter interpreter, has grouped the 20 pieces into seven programmes and attracted a starry array of actors to the project. Still to come are the likes of Tamsin ...

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Ben Brantley, The New York Times: Mr. Lloyd's interpretation balances surface ...

Some local theaters tweak their artistic mission or even revise it. And I’m all for change and challenge. Others — like Germinal Stage— grasp their strengths so well and hew to them with a tenacity ...

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. That can sometimes unbalance the production, with laughs coming less from the text ...

This is not a review. Samuel French Inc., the licensing agent representing the Harold Pinter estate in the U.S., has decreed that the Wooster Group’s production at REDCAT of Pinter’s first play, “The ...

The latest installments of this Pinter survey are saddled with some of the playwright's least effective plays. In hindsight, “The Room” feels like Pinter’s prototype. Written over four days in 1956 ...

The latest additions to the meticulously curated 'Pinter at the PInter' series reveal themes that surface slowly. “Pinter Three” is the more patchwork, its theme surfacing slowly. In “Landscape” (1969 ...