Los Angeles Opera is not without ambition or ingenuity, let alone is it risk adverse. It just looked that way Saturday night at the Dorothy Chandler Pavilion as the company entered its fourth decade ...
When it comes to the public imagination, opera is a genre built on contradiction: exclusive yet ubiquitous. No member of that esteemed canon encapsulates this contradiction better than Georges Bizet’s ...
Performances in N.Y.C. Advertisement Supported by During a break at the Royal Opera House, Aigul Akhmetshina discussed her action-packed career, “Carmen” and her mission to spread her love of opera.
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