The tuxedoed and evening-gowned audience that filled little Jubilee Hall at Aldeburgh on Britain’s windswept Suffolk coast last week was beginning to feel self-conscious and uncomfortable. They had ...

Performances in N.Y.C. Advertisement Supported by If opera at its best aspires to a different world, then we need to cultivate an anti-elite approach to how it is created and performed. By Yuval ...

It’s a big season at the Met for tenor Jonathan Tetelman—born in Chile, raised in New Jersey—and he’s taking every advantage of it. He’s come to town with a reputation as a Puccini specialist (not ...

When I wrote about Perplexity’s Comet browser earlier this year, I called it “a glimpse into the future of AI-powered web browsers”. After using Opera Neon for a couple of days, I think the next phase ...

Performances in N.Y.C. Fall Preview Jeanine Tesori and George Brant discuss the first time they heard “Grounded,” and how they instantly knew what they would change for the Met. Jeanine Tesori and ...

The team behind Opera understands that users want to be able to work (and play) efficiently. In the modern area of burgeoning AI, this means users want to be able to work with features like Aria and ...

Opera has been one of my favorite browsers for a very long time. One of the reasons for that is the developers actually listen to the user base. So when users called out for more sidebar service ...

Opera’s Neon Agentic AI Browser May Change How We Use the Internet Your email has been sent Opera has launched Neon, the first agentic AI browser designed to ...

The Phantom of the Opera has been a staple on the West End for over thirty years, having recently celebrated its 15,000th performance at His Majesty’s Theatre. Recently, we had the opportunity to chat ...