If you want to convert a 30 FPS video to 60 FPS in 2026, Wondershare UniConverter is one of the easiest and most effective solutions available. Its AI Frame Interpolation technology analyzes motion ...
The software-native solution enables Eurovision Services to run 84 frame-rate conversion channels across its existing server ...
Ateme has announced that Eurovision Services is leveraging Ateme’s software-based frame-rate conversion technology for premium international live event workfl ...
The Powervr FRC270 frame-rate conversion IP core from Imagination Technologies for licensing to lead customers made its debut at CES 2009 in Las Vegas, Nevada. The core is the only licensable ...
Meeting the demand for perfect high-quality content is something all broadcasters have at the front of their minds, but nowhere more so than during live events, where anything less than the best fan ...
HOLLYWOOD, Calif.—MTI Film this week released Cortex v5.5, an upgrade of its transcoding and workflow solutions. The latest version introduces two new options: MTai Frame Rate Conversion and MTai ...
TAIPEI, Taiwan--(BUSINESS WIRE)--CyberLink Corp. (5203.TW), a leading provider of digital creative editing software and artificial intelligence (AI) solutions, is excited to announce the latest AI ...
German broadcaster RTL Deutschland has selected software-based frame-rate conversion technology from French video solutions provider Ateme for upcoming international live event productions. The ...
Grass Valley, CA (September 4, 2025) – AJA Video Systems unveiled UDC-4K, a 4K-capable 12G-SDI/HDMI 2.0 Mini-Converter with powerful scaling and frame synchronization capabilities. 12G-SDI and HDMI ...
As I write this, the 25 th anniversary remaster of Titanic is still showing in cinemas, along with Avatar: The Way of Water. What both of them have in common (apart from being directed by James ...
The pros and cons of 24fps vs. 25fps and how it will impact you in post when shooting in the UK and other PAL countries. On a fully-funded production the DP shoots whatever frame-rate the producer ...
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