The UCLA Film & Television Archive series “No She Didn’t!: Women Exploitation Auteurs” looks at the unlikely intersection of female filmmakers and the grubby titillation of prison flicks, biker ...

“It’s so funny to me that Andy Milligan has become this great cult figure,” Laura Shaine Cunningham told IndieWire. To Cunningham — an author and playwright who describes her stint in Z-grade movies ...

Recent graphic films from Django Unchained to Killer Joe to Zero Dark Thirty have Tasha Robinson and Scott Tobias debating the line between arthouse and grindhouse, and whether either can cross over ...

David F. Friedman, the godfather of B-movie gore who produced 1963’s “Blood Feast,” which paved a bloody path that led to increasingly graphic horror movies, has died. He was 87. Friedman died Monday ...

More stories by Nigel M. Sexploitation! T&A drive-ins! Incest! Dirty dwarves! If this has you all riled up in a good way, then you’re probably aware (or should be) of Severin Films, a five-year old ...

I like Nicolas Winding Refn’s films—the ending of The Neon Demon was enough to redeem that otherwise flawed film for me, though that’s a topic for another time—but I’m a huge fan of his ongoing side ...

I am beyond pleased to speak to the merits of an iconic grindhouse actioner today. John Carpenter’s Assault on Precinct 13 is one of the most seamlessly executed exploitation films ever made. The ...

Mark Hartley directs the documentary which will chronicle the famed indie studio that made over 120 exploitation films from 1979 to 1989. By Lauren Schutte Electric Boogaloo Poster - P 2011 Alamo ...

All products featured here are independently selected by our editors and writers. If you buy something through links on our site, Gizmodo may earn an affiliate commission. Reading time 4 minutes In ...

This is a preview. Log in through your library . Abstract From the mid-1960s to the late 1970s, a cycle of slavery exploitation films emerged around the racial developments of the civil rights era and ...

The cracked auteurism and callous commercialism of the '60s cult figure live again at New York's Tribeca Festival. IndieWire hears from the people who lived and helped revive them. “It’s so funny to ...