BEFORE attempting any delimitation of the frontiers of Music and Poetry, or any discussion of their interaction, it is perhaps prudent to admit that in one respect it is impossible to separate them.

READERS whose interest persists in the parlous question of the modern stage are likely to have read, not long ago, Mr. Gosse’s essay in the Atlantic Monthly on Poetic Drama, and Mr. Corbin’s article ...

John Ernest, chair of the Department of English at the University of Delaware, wants to bring poetry to life, so sometimes he’ll start his classes with a dramatic reading of a poem. On more than one ...

When a character onstage or onscreen quickly addresses the audience, it’s known as an aside. Both a dramatic device for actors and a literary device for writers, asides appear across mediums to give ...

As I have every year since 2014, in 2025 I set aside a couple of months to peruse the year’s books of poetry — at least those books I had on hand. In the past, I’ve titled my annual roundup — one ...

From Seamus Heaney’s collected poems and Simon Armitage’s animal spirits, to prizewinners Karen Solie and Vidyan Ravinthiran Many of 2025’s most notable collections have been powered by a spirit of ...