Arianna Russ grew up dancing in Milwaukee. Between college and grad school at the University of Iowa, she returned for a short time to her home city to dance with the Milwaukee Bucks. She first ...

“Border Crossings: Exile and American Modern Dance 1900-1955” opens at the Art, Design & Architecture Museum and dance performances by the Jose Limón Dance Company, Santa Barbara Dance Theater and ...

Her choreography told stories in new ways and her collaborations with costume and stage designers changed the aesthetic of the art. Now, her dance company marks its first century Photographs by ioulex ...

Performances in N.Y.C. Limón’s dance, based on the play by Eugene O’Neill, has long been something of a problem piece. Now, it is being updated to speak to the moment. Johnson Guo rehearsing the title ...

Performances in N.Y.C. Advertisement Supported by “The Testament of Ann Lee” and Shaker traditions represent how movement has been a constantly evolving conduit to heaven. By Margaret Fuhrer When I ...

Through movement, Carmen de Lavallade shifted culture. Her decades of work were a proclamation that Black women were not guests in the world of modern dance — they were architects. The legendary ...

It’s typical for the Joffrey Ballet to seat a mixed-repertory concert near the beginning of the year. But the 2026 edition of such an evening (a series of loosely connected shorter works packaged ...

Editor’s note: Emily Wilcox is a professor of Chinese studies in the Department of Modern Languages and Literatures at William & Mary in the United States and recipient of the John Simon Guggenheim ...

“Border Crossings: Exile and American Modern Dance 1900-1955” opens at the Art, Design & Architecture Museum and dance performances by the Jose Limón Dance Company, Santa Barbara Dance Theater and ...

The experience of exile, whether literal or symbolic, is inevitably reflected in an individual’s body. Feeling cut off from one’s roots, or viewing yourself as a stranger in a foreign land, influences ...