The Royal Opera House’s new production of Elektra could do with an extra pinch of Saltburn-esque depravity. German auteur Christof Loy’s new production doesn’t try to reinvent the wheel. Instead it ...
Thank you for signing up! The title role of Elektra is among opera’s most demanding. She’s onstage for nearly all of the work’s 100-minute running time plotting revenge for the murder of Agamemnon by ...
These two of the top masterpieces by Wagner's natural successor - "Richard the Third", as Strauss was dubbed, because there could be no second - both reminded us of what worked and what didn't when ...
Some of that could be predicted with Franz Welser-Möst at the helm of the Vienna Philharmonic. He’s not a man of temperament, and while Strauss’s orchestral colours all emerge hand in glove with ...
Despite the presence of Mark Elder in the pit and Susan Bullock making her house debut in the title role, the first night of the Royal Opera’s revival of Elektra was a rather low-voltage affair.
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